Comments Scorsese, “Like so many millions of people, I first came to know George through the music, which was the soundtrack of our world. The Beatles’ music, those beautifully lyrical guitar breaks and solos, those unforgettable songs of George’s like ‘I Me Mine’ or ‘If I Needed Someone,’ and the images, in magazines, on album covers, the TV appearances, the newsreel footage, the Richard Lester movies; and then there was the world after the Beatles, when George and his music seemed to open up and flower. I will never forget the first time I heard ‘All Things Must Pass,’ the overwhelming feeling of taking in that all glorious music for the first time. It was like walking into a cathedral. George was making spiritually awake music – we all heard and felt it – and I think that was the reason that he came to occupy a very special place in our lives. So when I was offered the chance to make this picture, I jumped at it. Spending time with Olivia, interviewing so many of George’s closest friends, reviewing all that footage, some of it never seen before, and listening to all of that magnificent music – it was a joy, and an experience I’ll always treasure.
Notes widow Olivia Harrison, “Martin Scorsese’s intuition towards George was evident the first time we met to discuss this project. He sensed what George was about: his music, his strong beliefs, his art, his place in the Beatles’ story and his extraordinary life afterwards. Marty’s wonderful film has found all of that and more."
Additionally, in late September, Abrams Books will publish Olivia Harrison’s “George Harrison: Living in the Material World,” a personal archive of photographs, letters, diaries and memorabilia from George’s life that reveals the arc of his life, from his guitar-obsessed boyhood in Liverpool, to the astonishment of the Beatles years, to his days as an independent musician and bohemian squire. The book release is intended to coincide with the release of Scorsese’s film.