Blake Leyh's Interview
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Episode 43: Margin of Error

Song Title: Move On Up
Artist: Curtis Mayfield
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One of the few times that Leyh skirted the rule that all music must flow from an on-screen source, he drew out a song from Cutty's walkman into a full montage. But the ex-con's jog on Election Day imposed a few interesting considerations. "I did the math and figured out how long he had been in prison, when he went to prison, how old he was and kind of thought about the music of that period. So it would've been like mid-80s. Curtis Mayfield is older than that," he says, "but just somehow felt right." Leyh also tried old-school hip-hop like Eric B. and Rakim and Run DMC against the scene, but besides lacking the right energy, the songs didn't sound like Cutty. "I don't see Cutty having a deep record collection and nerding out; he's just not that kind of guy. He would just put on the radio. And in this day and age, to listen to Eric B and Rakim, that feels a little bit more like someone who cares about classic hip-hop. Although, I tried Kool and the Gang's 'Victory.' And that was good, but it was too on point with the election stuff."



The B-Side of Baltimore: Recordings You Never Heard on The Wire
Twice the First Time
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Artist: Saul Williams
I thought Chris Partlow might play this in his truck during Season 4, but I could never get it to work. One problem is that the song has such a distinctive sound that you listen to it, which distracts from the scene.
Jiggle It
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Artist: Young Leek
A classic Bmore track from 2006. We tried to get the rights for use in the show, but as is often the case with music not released on major labels — particularly hip-hop — we couldn't clear it. The song is even referred to by Chris and Snoop in the notorious scene where they are trying to tell if certain corner boys are local or from New York.
Baltimore
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Artist: Nina Simone
On some other TV show it would have certainly been at the top of the playlist, but we're obtuse and try not to make the most obvious choices. Also, the song is about someone who has escaped the trials of Baltimore and is never coming back. 'The Wire' is about people who will never leave.
Baltimore
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Artist: The Angel and Mystic
A decidedly modern take on the classic, sung by the great female rapper Mystic and produced by The Angel, who contributed one song to Season 2.
Oh Baltimore
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Artist: Mullyman
Moderner and moderner, Mully's version of the song might have had the best chance of being used on The Wire, and it certainly captures the spirit of Baltimore. In the end, we used Mully's songs 'The Life, The Hood, The Streetz' and 'I'm Good There' instead.
Baltimore Gas & Electric Co. #1
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Artist: Raymond Scott
Taking the Bmore set to its logical conclusion, here's a track from Raymond Scott, one of my favorite American composers.
151 Canal
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Artist: Blake Leyh
I composed the end theme for The Wire, a piece called 'The Fall.' Over the years many fans have asked for the track, and also asked for a longer version. The track is finally available on 'The Wire' soundtrack released on Nonesuch Records. But the closest you'll get to a longer version is this track from my recent solo album 'X-Ray Yankee Zulu Tango,' featuring the same players as 'The Fall' — Me on upright bass and the late Andre Burke on violin.
Bamboo Banger
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Artist: M.I.A.
One of the best new records of 2007, M.I.A.'s 'Kala' opens with this tribute to Darkroom Productions' 'Bmore Banger.' Darkroom's 'Hamsterdam: The Album' is one of the most eagerly anticipated releases of 2008, sure to take their Bmore hip-hop series of compilations to the next level. Look for it in May.
Tupelo
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Artist: Albert King, Pop Staples and Steve Cropper
This was an alternate choice for the Season 4 montage. I loved the mood of it, but it was too slow and too much about a very specific situation, so we ended up using 'I Walk On Gilded Splinters' by Paul Weller instead.
A Change Is Gonna Come
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Artist: Sam Cooke
The classic song of the civil rights era, I always imagined we would find a place for this. Alas, there are few spots for such beautiful, dark optimism in any TV show, let alone in the swamp of pessimism that is 'The Wire.' And besides, the song costs a fortune to license.
Mahler Symphony No. 5 in C Sharp Minor: IV. Adagietto
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Artist: Leonard Bernstein and Wiener Philharmoniker
Season 5 is just about half-way done as I write this. The end is nigh. Turns out the story has a beginning, a middle, and even an end, like most good stories. When contemplating the end of things, this is the music you need to be listening to.
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Music from The Wire: Available Now
Enjoy music from and inspired by HBO's hit original series. These and other Wire collectibles available now at the HBO SHOP(SM)!

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