Int. Sledge House Dining Room, Mobile Alabama, looking towards Parlor. Studio Composite Set Build. Concept Sketch by Production Designer Anthony Pratt.

Int. Sledge House, Dr Sledges Study,Mobile Alabama. Eugene at the door. Studio Composite Set Build.Concept Sketch by Production Designer Anthony Pratt.

Int. Sledge House, Parlor viewed from Dining Room, Mobile, Alabama. Studio Composite Set Build.Concept Sketch by Production Designer Anthony Pratt.

Ext. Sledge House. Front Elevation, Mobile Alabama. Set Elements built into an existing location to create accurate architectural representation. Scale Construction. Drawing by Art Director Damian Drew.

Ext. Spanish Fort, Mobile Alabama, Eugene Sledge arrives on his bicycle with Deacon. Concept Art by Annette Mackie.

Ext Spanish Fort, Mobile Alabama. Actual Contemporary Location Photograph.

Ext. Cargo Nets, Ships Side, George F. Elliot. Robert Leckie climbs towards Higgins Boat. Invasion Fleet bombard the coast off Guadalcanal. Concept Art by Annette Mackie.

Ext. Higgins Boat, Guadalcanal. Leckies Higgins Boat joins the First Wave to head ashore. Concept Art by Annette Mackie.

Ext. Leckies Higgins Boat alongside George F.Elliot. Front Elevation. Studio Set Build, involving specially fabricated Ships Side, Cargo Net and Higgins Boat on Gimble Rig. Construction Drawing By CAD Draughtsman Marco Anttonen.

Ext. Leckies Higgins Boat alongside George F.Elliot. Side Elevation. Studio Set Build, involving specially fabricated Ships Side, Cargo Net and Higgins Boat on Gimble Rig. Construction Drawing By CAD Draughtsman Marco Anttonen.

Ext. George F. Eliot. Images show A - Historical Photographic Reference. B - Concept Sketch by Naval Art Director Jim Millet. C - Ext. Studio Set Build.

Ext. Jungle Trail, Guadalcanal. Schematic Set Layout and Action Plan by Asst Art Director Jenny Hitchcock.

Ext. Marine Line, Guadalcanal. Schematic Set Layout and Action Plan by Asst Art Director Jenny Hitchcock.

Ext. Marine Line, Guadalcanal. A Naval Battle rages in the distance illuminating the night sky. Concept Art By Annette Mackie.

Ext. Marine Line, Guadalcanal. Schematic Diagrams showing plans and sectional elevations of Leckies Gunpit, Phillips Mortar Hole and Sleeping and Listening Posts. Drawings by Location Art Director Scott Bird.

Ext. Alligator Creek, Guadalcanal. Schematic showing position of Alligator Creek in relation to Beach and Lever Brothers Coconut Plantation.Large Scale Location Set Build. Schematic Drawing by Asst Art Director Jenny Hitchcock.

Ext. Alligator Creek, Guadalcanal. Concept Sketch showing topography and scale by Production Designer Anthony Pratt.

Ext. Alligator Creek, Guadalcanal. Schematic Plan showing Leckies Gun pit position as well as many other key positions alongside Alligator Creek. Large Scale Location Set Build. Schematic Plan by Location Art Director Scot Bird.

Ext. Alligator Creek, Guadalcanal. Schematic Planning Model showing Hero Positions and Action Plan, as well as scale of build. Model fabricated by Madelaine Griffith and Sunday Gamin.

Ext. Alligator Creek, Guadalcanal. Detail of Schematic Planning Model showing position of abandoned LVT. Model fabricated by Madelaine Griffith and Sunday Gamin.

Ext. Alligator Creek, Guadalcanal. Detail of Schematic Planning Model showing Gun Emplacements. Model fabricated by Madelaine Griffith and Sunday Gamin.

Ext. Alligator Creek, Guadalcanal.Detail of Schematic Planning Model showing Gun Emplacements. Model fabricated by Madelaine Griffith and Sunday Gamin.

Ext. Alligator Creek, Guadalcanal. The Marines see Four Japanese Destroyers half a mile offshore. Concept Art by Annette Mackie.

Ext. Alligator Creek, Guadalcanal. Schematic Plans and Elevations showing Leckies Heavy Machine Gun Pit and Phillips Mortar Pit.Location Set Build. Drawings by Location Art Director Scott Bird.