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SAND AND SORROW
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Interviews



HBO: Your film offers a disturbing look at a crisis many people are not aware of, or choose to ignore. How did you come to the subject?

Paul Freedman: In retrospect, I realize I dove into this because of shame. I was offered a job in Rwanda in 2004 to do a documentary about the Rwandan genocide and its aftermath. I jumped at the chance to do it. I had edited some long form stuff that had human rights undertones, things that really piqued my interest in these sorts of mass atrocities that had happened as the world stood by.

I remember being a complete bystander back then when the genocide took place, and while I was working on the Rwanda piece, I started hearing whispers that something was happening in Sudan; that another Rwanda was brewing. So when I finished the Rwanda piece, I looked at my wife and said, "You know, I gotta do this." And she asked a great question, "How are we gonna do this?" And I said, "I don't know. But we're gonna do it."

So I plunged in headlong. Through the generous support of friends we raised enough money and used credit cards to get it done. And I hope it's disturbing because people don't realize how close this situation is to us, and the ramifications it's going to have, long term, on us.

HBO: After the Rwandan genocide the world community said "never again." Yet the same thing is happening again in Darfur right now.

Paul Freedman: The unique thing in this country is that since Nick Kristof's work--who by the way has been heroic since he broke the story in The New York Times--and since people started climbing on board and clamoring for action, there has been a ground swell of support from students and groups, and a number of politicians and filmmakers who want to make "never again" mean something.

As Samantha Power says in the film, "Everybody wants them to be safe" meaning the people in Darfur, "...but nobody's willing to make them safe." And it's true. Without the U.S., European Union and Muslim countries like Egypt and Saudi Arabia putting pressure on the Sudanese government by offering them a stick and not a carrot, as John Prendergast says, by threatening them with something, there won't be a change. It's been years now. And each day, it's like a clock ticking. These people just sit there while everybody's at loggerheads. It's a tragic, tragic situation.

HBO: Give us a snapshot of what you discovered when you started shooting.



Paul Freedman: Because the film is so much more than just about being in Darfur, there were things I discovered in places like in American high schools. It was incredible to see what happens to young people. When they hear about the crisis they are flabbergasted, and they say, "How can this happen? Why would a government do this to their own people?" That is the correct moral response. As we grow older and the politics melds into money and oil, our moral response gets muddy.

In Darfur when I was shooting there, what I saw was a vital, vibrant, important people who were living in extreme poverty, but were quite happy and just wanted to go home. They have this incredible resilience and this incredibly positive outlook on life. Many of these people had lost everything, including family members. But they were so ready to extend a hand and speak with me, and to offer a smile. They are an amazing people.

HBO: Can you give us an overview of how the crisis began?

Paul Freedman: Well, the jumping-off point is that the regime in Sudan right now is criminal. What has happened in Darfur in the past four and a half, five years, is exactly the same thing that happened in the south of Sudan twenty one years before that-the people in the South rebelled because they were marginalized and they weren't sharing in any of the country's wealth.

Sudan is awash in oil money now, and the southern Sudanese rebelled and when you rebel in Sudan, whether your claims are legitimate or not, the criminal regime in Khartoum will come after you in a brutal, illegal, evil way. What they do is they do not go after the rebel soldiers themselves they go after the rebel base. That means their families.

The term "Janjaweed" first appeared when they hired what were then called "Arab militias". They paid them, trained them, armed them and then sent them into these villages where the rebels were believed to have come from. They bombed them, burned their homes, raped their women, and chased them out. Really terrorized these people.



This is completely different than Rwanda, by the way. And while a genocide is a genocide the motivation behind it can be different. Unlike the Holocaust and Rwanda where they were killing Jews and Tutsis because they were Jews and Tutsis, that's not really the case in Darfur. It was a rebellion that was put down brutally. And it just so happened that the people who rebelled in Darfur were from non-Arab tribes. And it just so happened that the group that rebelled was different than the group in power. That is why it is called a genocide. But if there wasn't a brutal, criminal regime desperate to stay in power, we probably wouldn't have the problems we have there today.

HBO: What do you hope people take away from the film? And what can they do to help?

Paul Freedman: I came into this project with a sense of shame and a sense of purpose. I wanted to show people what was happening so that maybe I could do my own part in helping to make "never again" mean something. I've started showing the film a bit at colleges. And I realized that the people that were coming to those screenings were the people who were wearing "Save Darfur" tee shorts and "Stop genocide" and that I was really sort of preaching to the choir that was already there.

When HBO decided to pick up the film, I felt like the luckiest man in the world. I knew HBO could reach a lot more people than I could at campuses around the country. So my hope is that people who have no idea that this is happening will know about it. I think that if people understood that there has been a legacy of failure on the part of ourselves, our country, Western governments, hopefully it will outrage them enough that they might pick up the phone, or email their representative and say, "Hey, we need to be serious about stopping this now."

What can they do? Some of the best things they can do are to log on to some of these constituency websites. There are many, many action items that they list for you to do. Most importantly you can talk about it and you can tell people. We need to clamor for a change in the way we approach a criminal regime. Instead of shaking their hands at the negotiating table, instead of treating them in normal diplomatic terms, we need to come up with a new way to talk to these guys who are murderers. And until then, I don't think we're gonna get a lasting peace in Darfur.


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