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PHANTOM LIMB
Phantom Limb Home | Synopsis | Interview | Resources | Schedule
Synopsis

This month, Cinemax Reel Life showcases an unforgettable short film from Jay Rosenblatt, whose unique style probes our deepest human emotions through a combination of unusual and often- allegorical images, a haunting music score, and a sparse narration. Phantom Limb (the title refers to the term used for the sense that a limb still exists after it has been amputated) begins with a traumatic event in the filmmaker's life - the death of his younger brother when both were children - and morphs into an examination of the progressive stages of grief through which anyone who endures such a loss invariably pass through.

Eliot Rosenblatt was barely 7 when he died from an infection after surgery; he'd been ill from an undisclosed illness for two years. Jay, two years older, was embarrassed by Eliot's illness, then felt guilty after he died, but never was able to express his feelings. His parents avoided articulating their loss for years.

In Phantom Limb, Rosenblatt introduces a collection of reflections and images centering not only on his personal story, but on universal themes of grief and loss. The film evokes 12 emotional stages that follow the loss of a loved one - "Separation," "Collapse," "Sorrow," "Denial," "Confusion," "Shock," "Rage," "Advice," "Longing," "Depression," "Communication" and "Return" - in a dozen film "chapters." As he explains on his film-company website, "Whether it is a loss through death or divorce, the stages of grieving are the same. Individuals often go through denial, anger, bargaining, depression and, ultimately, some kind of acceptance, in order to heal. The film is loosely structured according to these stages. Interspersed throughout this poetic documentary are interviews with a cemetery owner, a phantom-limb patient, and an author of a book about evidence for life after death. Phantom Limb reminds viewers that while grief is painful and isolating, it is a reminder to each of us that life is impermanent."

About the filmmaker: A onetime therapist who has taught film and video at Stanford and other universities, Jay Rosenblatt has been making films since 1980. A recipient of a Guggenheim Fellowship and a Rockefeller Fellowship, Rosenblatt's films have won many awards and have been screened throughout the world. A selection of his films had theatrical runs at the Film Forum in New York and at theaters in San Francisco, Chicago, Seattle and Boston. Rosenblatt's films, some of which are as short as one minute, are personal in content yet universal in appeal. Among his films: Human Remains (premiered on HBO Signature in 1999), I Used to Be a Filmmaker (a Cinemax Reel Life presentation in 2004), The Smell of Burning Ants and Period Piece.

Phantom Limb premiered at the International Documentary Film Festival in Amsterdam (IDFA) in the Silver Wolf Competition and has screened at some of the most prestigious film festivals in the world, including the Tribeca Film Festival, the Chicago Documentary Film Festival, the Full Frame Documentary Film Festival, the Newport International Film Festival, and the Clermont- Ferrand International Short Film Festival. It has won several awards, including Best Documentary at the Belgrade Documentary and Short Film Festival, and Best Short Documentary at the Florida Film Festival.

CREDITS: Producer, Director, Writer & Editor: Jay Rosenblatt. Directors of Photography: Ara Corbett, Todd Curtis and Jay Rosenblatt.

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