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GOD SLEEPS IN RWANDA
God Sleeps in Rwanda Home | Synopsis | Interview | Resources | Schedule
Interviews

HBO: What compelled you to make the film?



Kimberlee Acquaro: I was working at Life Magazine during the genocide, and I was seeing pictures of what was happening in Rwanda on the wires, but I wasn't seeing them published anywhere, which was disturbing and upsetting. I followed the Rwanda story, and two years later I read about Hutu and Tutsi women who were working together to build schools and homes, and do things women hadn't done ever before in Rwanda.

I started pitching the story, but I didn't get much interest until 2001 when I was nominated for a Pew Fellowship in international journalism. That fellowship was for under-reported issues, and so my proposal was for the story of the women in Rwanda.

In 2000 I went to Rwanda on my fellowship, and began meeting and speaking with survivors. And I realized that the real arc in Rwanda was that of women who had lost everything, and had emerged from the tragedy to change their lives, and in doing so changed their country in both personal and political ways.

HBO: How did you find the woman in the film?

Kimberlee Acquaro: Before I began the film, I was working as a photo journalist, and my first work in Rwanda was writing articles and photo-journalism. And I realized that although photographs and stories are very powerful, hearing these women tell their stories was so moving. And the only way that I could let you hear their voices was to make a film. I mentioned to a friend, Stacy Sherman that I was planning on going back to do this documentary. She had read the stories, and was as moved by the women as I was, and she said I'd love to go with you, and so I decided right then and there, let's go.

A few weeks later we were on a plane. During my print reporting I had met and interviewed or photographed over sixty women. And from those women, we had to decide who would represent the story we wanted to tell. We chose these five women in the film because we felt that they really represented a wide range of women's experiences during the genocide, and of their responses to everything from very, very personal tragedies to very active social change as leaders in their community.



Many of the stories are very sensitive because issues like rape and AIDS are still very difficult to speak about in Rwanda - although there is more talk about them now because AIDS education, and because so many of the genocide victims suffered from rape and now from AIDS. I think the women trusted our intentions and knew we were trying to represent them well, and that their story was something good and important.

HBO: Describe some of the ways Rwanda was changed by the genocide.

Kimberlee Acquaro: After the genocide, the country was almost 70% female. And today it is still slightly higher female than male. And what's important about that is that traditionally when men come back into society after wars, or conflict, the women go back into their traditional roles. But as the population has equalized in Rwanda, gender-wise, women's progress has continued twelve years later. And that's very important because it shows that it is, hopefully, lasting progress.

Before the genocide, women represented only about five per cent of the government. Today they are almost fifty per cent of the parliament. That's the highest number of women in parliament anywhere in the world.

And other things have changed through legislation. Women's rights have been protected in Rwanda's new constitution. The inheritance law is a very good example. And one of the young women in our film is very representative of this. Before the genocide, women were not allowed to do so many things.

They couldn't have a bank account or get funding without their husband's approval generally. Some of it was cultural, some of it legal. They weren't allowed to inherit their family's property if their husband died. It went to his family. All that has changed now. So these kind of things are huge.

However legislation is easier to change than attitudes. And the women certainly have to deal with long held cultural attitudes; not just men's but their own. And they've had to learn that it is their right, not a privilege but their right and their responsibility to have a voice in these processes that govern their lives.



These are some of the changes that have happened in the country because women stood up and said we want to make our children's lives better. We want to make our own lives better. We don't want this to happen again. We have to work together.

The other really great news is that the government of Rwanda has been very active in AIDS education and getting AIDS drugs to the country. And now through a woman's organization that we support through our fundraising with the film, any woman who enters this program can get AIDS medication. Which will have an enormous impact.

HBO: What kind of reactions have you gotten to the film, and what was it like receiving an Academy Award® nomination?

Kimberlee Acquaro: The reactions have been amazing. And it's been very rewarding for us to know that the world has been as moved as we were by these stories, and to be able to use the film to try to help, in our small way, the women who shared their lives with us.


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