Albert "Chalky" White

played by Michael Kenneth Williams

Chalky White lost everything when he went up against Valentin Narcisse.

Character Bio

Once the de-facto leader of Atlantic City's African-American community and an ally of Nucky's, Chalky White lost everything when he went up against Valentin Narcisse. The combined loss of his mistress, Daughter Maitland, and his daughter Maybelle sent Chalky to Maryland in retreat.

Bio

Named by USA Today as one of the "10 Best Reasons to Watch Television," Michael Kenneth Williams played the legendary Omar Little (Barack Obama's favorite TV character) on all five seasons of HBO's 'The Wire.' Achieving critical acclaim and a loyal fan base, Michael has been nominated twice for an NAACP Image Award for Outstanding Supporting Actor in a Drama Series.  

In addition to his work on 'Boardwalk Empire,' Michael was recently a regular on the NBC adventure drama 'The Philanthropist,' and has had recurring roles and special guest appearances on 'Law & Order,' 'Law & Order: SVU,' 'Six Degrees,' 'The Sopranos,' 'CSI,' 'Boston Legal' and 'The Kill Point,' starring opposite John Leguizamo and Donny Wahlberg as the gifted sniper.

A native of Brooklyn, Williams started out his career as a street dancer and choreographer, working on more than 50 music videos and national concert tours. Fashion photographers David LaChapelle and Steven Klein pulled him off the street and into a modeling career, which led to him being handpicked by Tupac Shakur to play the rapper's brother in the 1996 film 'Bullet,' before working with Martin Scorsese on 'Bring Out the Dead.' Early in his career, Williams added his love of theater to his passion for acting. He worked with the La'Mama Theater in New York and appeared in various productions with the prestigious National Black Theater.

Director J.J. Abrams, a fan of 'Mission Impossible:  III' and 'The Wire,' created a role for Williams on 'Alias,' as did Edward Norton for the film 'The Hulk.'  Additionally, Williams' film work includes scene-stealing cameos in 'I Think I Love My Wife,' directed by Chris Rock, and Spike Lee's 'Miracle at St. Anna.' He also played a sympathetic detective in 'Gone Baby Gone' (Ben Affleck's directorial debut), in addition to starring opposite Viggo Mortensen and Charlize Theron in the film adaptation of Cormac McCarthy's 'The Road' and in 'Brooklyn's Finest' with Don Cheadle, Richard Gere and Ethan Hawke.

His recent films include a lead role in Todd Solondz's 'Life During Wartime' and a starring role opposite Sanaa Lathan and Matthew Broderick in 'Wonderful World.'  He can also be seen in the new Michael Cuesta ('L.I.E.') film 'TellTale.'

Interview With Michael K. Williams

HBO

Chalky's troubles began early this season. Was Dunn Purnsley just waiting for his chance?

Michael K. Williams

Dunn never really got over what went down in the jail. I think he was always waiting in the wings for his opportunity to pounce. When Narcisse came to town, that was his chance.

HBO

What does it mean for Chalky to call him Sweetback?

Michael K. Williams

It means you're really good with the ladies. But Dunn being so good with the ladies is what got us into this trouble. So it's definitely a dig at him, a real backhanded compliment.

HBO

After Episode 408, when Dunn goes after Chalky, you retweeted a comment with an Omar Little reference: "You come at the King (of the Onyx club), you best not miss." 

Michael K. Williams

I had to retweet that!

HBO

Having come at him twice—and missed—Erik LaRay Harvey [Dunn Purnsley] thinks Chalky has an angel over his shoulder. Do you agree?

Michael K. Williams

Chalky definitely has a survivor instinct. He loves and he can be with people, but by the same token, he is always watching to see where things are going. This is a man that watched his father hang from a tree. He grew up not trusting anybody. 

HBO

This past Sunday, Chalky escaped death again. How do the two scenes—Dunn's attack and the ambush in the car—compare for you?

Michael K. Williams

They both were physically demanding, but there was something very subtle about the scene in the car. The fact that Chalky choked this white man who was trying to kill him, with the American flag—I thought was just insane. In 1924, you have a a black man choking a white man to death with the flag.

HBO

And he kills the other deputy by turning his own gun on him.

Michael K. Williams

It's a dose of your own medicine, if you will. Those subtle things speak to the history of what my ancestors have gone through.

HBO

Chalky and Narcisse are at each other's throats the moment Narcisse arrives in town. What is it about Narcisse that upsets Chalky so much?

Michael K. Williams

The fact that they would not see eye to eye was very likely. And that Dunn did something to mess up the business didn't help matters at all. Narcisse and Chalky are dealing with something that really plagues the black community: It's the house negro and field negro. It's the light skin vs. the dark skin. It's the academically educated vs. the street educated. Those are things that plague the black community to this day and the writers wrote to that.

HBO

So when Chalky attacks the UNIA office, is he taking the fight to the streets?

Michael K. Williams

Chalky's just making a statement anyway he can: "Not in my house. You are not going to disrespect me in my house. Take that shit somewhere else."

HBO

Does Narcisse get any credit for bringing Daughter Maitland to Atlantic City?

Michael K. Williams

That's the first time we see Chalky slip. Does Chalky really think Narcisse brought this girl to the club to get him off his A-game? Maybe he does -- he tries to resist it at first. But Daughter is this gorgeous woman; she's everything his wife isn't. She's sophisticated, she's talented. She's New York. Daughter has this fire that he's drawn to. He tries to fight it at first, but eventually he falls prey.

HBO

Chalky is really at his most vulnerable when he's listening to Daughter sing.

Michael K. Williams

Those scenes with Margot [Bingham] when she's singing, that's strictly instinct and emotion. Her voice resonates with me; it opens up my chakras. I don't have to work at it at all. When we were doing the funeral scene for the deacon, we had a rehearsal. I looked at the church and I looked at the people, and she's singing "The Old Ship of Zion." It looked too real. She transported me to when I buried my father. Her voice soothed me so much. It opened my heart up and I got full. I had to leave the rehearsal because I got emotional.

HBO

Daughter rides out of town with Chalky. Is he looking for a future with her?

Michael K. Williams

Chalky's not sure what he's looking for. He knows this is not real, it can't last, but he can't stop it. He's in too deep. You can't help who you fall in love with.

HBO

Before everything went down, Maybelle told Chalky he's the man he's warned her about. What does it mean to hear his daughter say that?

Michael K. Williams

It hurts him. Out of Chalky's three children, Maybelle is probably most like him. She has his spunk and his fire, so when he looks at her, he sees himself. And she's daddy's little girl. To see the disappointment, the hurt, in her eyes, to know he had something to do with that, it breaks his heart.

HBO

One alliance we can be sure of is the one between Chalky and Richard Harrow, as we saw in the alley behind the Onyx Club.

Michael K. Williams

That's a very poignant scene. The guys from the club, they pull the race card on Richard. And Chalky says, it's not a black or white thing. When you find a man that's honest, that will go to bat for you, you respect him. It's not a white or black thing, it's a man to man thing. Chalky and Harrow definitely respect each other as powerful men in their own right.

HBO

Meanwhile, Chalky's relationship with Nucky keeps shifting.  What does he mean when he talks about push coming to shove?

Michael K. Williams

Chalky wants Narcisse out of his life, permanently. Whether it's by train or the gun. Chalky knows enough to know that Narcisse is trouble and he can never be trusted.

HBO

Will Nucky step up?

Michael K. Williams

We shall see.